Our first half-million hits

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Thames Barges

Thames barges on the Blackwater – one of the first photos
to appear at intheboatshed.net

It feels a little funny when I think of it, but some time in the next two or three days in the boatshed.net will rack up its first half million hits.

Those with long memories will recall that this weblog began in a very small way at the end of 2006, and benefited early on from the support of various weblogs and online magazines, most notably Chuck Leinweber’s Duckworks Magazine and Tim Shaw’s Chineblog.

Ben Crawshaw’s wonderful The Invisible Workshop followed as did Chris Partridge’s Rowing for Pleasure, and so did a host more I won’t mention just now because if I do this post will become too huge for words.

We’re now all part of a community of interconnecting weblogs and online magazines, and I’m grateful to all of them both for their assistance in helping readers find their way here, and for the entertainment and interest they have given us in our household. If you come to this site and happen to land on this post, therefore, I’d like to suggest you take a little time to explore the sites and weblogs, as well as the rest of the intheboatshed.net blogroll.

But I have another request: please send me pictures and stories that you’d like to share! We’re particularly interested in old boats, traditionally built boats whether old or new, in boats that bear the influences of the past, in the history and culture of boating, in influential individuals and in alternative ways of enjoying boating rooted in the past. It doesn’t matter whether you’re a proud owner or not, or a boat builder or other boat related craftsman, or even if you simply have something interesting to sell. And the occasional story about a boat-related shed doesn’t go amiss either!

Finally, I’d like to pay tribute to my family and wife Julie, who has shown immense understanding and enthusiasm over a long period. I know that I’ve been very lucky to have their support and I hope they feel the result justifies the effort and time that goes into the inthboatshed.net project.

Reach me either at gmatkin@gmail.com or by using the intheboatshed.net contact page, which you can get to using the page tab above the title line.

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Nick Smith motor launch Lisa at sea

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Lisa at the mouth of the Yealm

Nick Smith has just sent me these photos of motor launch Lisa at the mouth of the Yealm on the day she was launched. Read all about her here.

If you don’t already know him, Nick comes from Devon, learned boatbuilding the traditional way and specialises in new builds in clinker and carvel for sail, motor and rowing power from 8ft to 28ft with a special emphasis on West Country style and design, and also takes on repairs and refits from 25ft to 50ft. These days he’s based in Hampshire, and can be contacted by email at nick_smith_boatbuilder@yahoo.com and by phone on phone on 07786 693370.

The almost unbelievable galley

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Galley drawing from On the High Seas – click for a larger image

Idly reading my first edition copy of On the High Seas by E Keble Chatterton, I was astonished to find this drawing of a galley.

The book itself is a largely unstructured collection of salty yarns about mutiny, exploration, slavers, pirates and high adventure – the chapter headings themselves tell a story, for they include: Chpt 1 Deep Sea Roving, Chpt IV The Profession of Piracy, Chpt VIII St Helena and the Slavers and Chpt XI Gambling with Death.

I can’t be sure that the proportions of the tippy-looking vessel shown are truly representative, but for me at least, this drawing of a galley from the chapter on the Profession of Piracy raises some practical points. It has a rig that would normally be expected to be best in beating rather than running – but I suspect sailing upwind was not its main purpose. For one thing I imagine the rowing galleries must have been vulnerable to digging-in when heeled, causing a kind of wild reverse-broach; for another I’d guess that like one of Pete Culler’s recreational skiff users, the commanders of these craft would row upwind when it was faster than sailing.

The power question is interesting. By my count there are two galleries of 27 oars here, each with six oarsmen. If well trained and well they fed, could theoretically deliver 0.2hp each – and by my calculation hat’s 324 oarsmen who, in my calculation should be able to deliver a total of 65hp. That’s not a huge amount of grunt for a ship this size, but even this figure would have to be reduced by some factor because it must have been difficult for the oarsmen at the inner and outer extremes of each oar to deliver their theoretical maximum, either because of the lack of travel or because of too much.

Surely, the man by the gunwale must have been chosen for his massive strength and the man at the far end for his height and span?

The detail shown here is fabulous. Just look at the warlike group on the forecastle and the three guns. I’d hate to see one of these coming my way, particularly if I had no wind to escape!

Here’s what Keble-Chatterton has to say:

‘The corsairs of Tunis rarely emerged from the Mediterranean, but sailed about off the south of Sardinia, or Cape Passaro at the heel of Sicily, or that historic pirate area among the Ionian Islands. The latter was a risky sphere, for the Venetian naval galleys with sails, masts, big crews of oarsmen, and with bow-guns, wsere not infrequently to be met with. The Moors feared these Venetians as their deadliest enemies, nor was the Battle of Lepanto yet forgotten. Using handy lateen-sail feluccas, with plenty of men to row as required in light or head winds, the Tunis pirates had and endless series of bays, creeks, and islands wherein to creep for rest and recreation. Such islands as Candia, Lampedusa, Rhodes and Cyprus could be used; but Tunis itself, being an open roadstead with inadequate protection from the fort, was not for them an ideal base. Algiers, on the contrary, was protected by a mole and a citadel; and there was a light showing to enable the rovers to get home from the sea.’

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