Faversham Creek Trust launched to revitalise historic waterway

Faversham Creek Trust leaflet

The Faversham Creek Trust launched yesterday will ‘work with both local and national government to regenerate shipbuilding and marine activity, creating a vibrant, revitalised working creek and skilled jobs for local people’.

That sounds like good news to me – if the council and landowners allow the new trust to achieve its aims.

A press release issued by the trust puts it this way:

‘Dedicated to protecting and promoting Faversham’s centuries-old maritime industry, the trust intends to reverse the recent decline in the creek’s fortunes for the benefit of the whole town, which is an ancient Cinque Port 10 miles west of Canterbury.

‘The trust has invited creekside land owners and operators to participate, and has produced a colour brochure detailing the creek’s history and its importance to the town. It sets out plans for a successful, sustainable future for this tidal link to the Thames Estuary, guaranteeing real employment and training opportunities.

‘The trust is asking the local authority, Swale Borough Council, to commit to protecting Faversham’s heritage and has plans in place to raise funds once the future of significant creekside sites can be secured.

‘The launch of the Trust comes at a time of widespread public concern for the creek’s future: in particular, the immediate threat to traditional boatbuilding jobs at Standard Quay. Around 1,000 people have already signed an e-petition to the council, calling for the quay, a national centre for sailing barge repair on the site of the famous Goldfinch shipyard, to be protected from inappropriate development.

‘Faversham is practically the last stronghold of the world-renowned Thames sailing barge. Safeguarding one of the town’s last surviving pockets of creekside maritime industry is an urgent priority for the new trust. But its scope and ambition extend much further.’

Trust spokesman David Gwyn Jones said that current proposals to allow the historic listed buildings on Standard Quay to be used for restaurants and shops would deny them to the maritime users and barge repairers on the waterfront.
‘We are not opposed to house building or business development,’ he said, ‘but new housing has already encroached upon much of the creek. Other sites are suitable for development which do not threaten the marine heritage of Faversham and its people’s jobs.

The trust’s plans include include:

  • creating more than 50 new jobs
  • bringing the swing bridge and creek basin back into proper use and resolving the present silting problems
  • new facilities, including slipways, dry docks, a dinghy building school, a blacksmith’s forge, a marine engineering workshop, and a museum
  • creek festivals and sailing events

Faversham’s a great place, but just think what it could be if this new trust gets it’s way!

London’s ship in a bottle

Nelson's ship in a bottle 3

Nelson's ship in a bottle 1 Nelson's ship in a bottle 2

This giant ship in a bottle artwork in Trafalgar Square, London, by Yinka Shonibare commemorates Nelson’s victory at the Battle of Trafalgar.

It also raises the time-honoured ship-in-a-bottle question:  how on earth did they make it?

Having seen it at close quarters and read about it, I still don’t know the answer. What we are told, however, is that the ship’s 37 sails are made of exuberant and richly patterned textiles commonly associated with African dress and is meant to convey the complexity of British expansion in trade and Empire, made possible through the freedom of the seas that followed victory at Trafalgar.

The bottle’s context is intriguing. Trafalgar Square is the usual destination of big demonstrations in London, and as I passed through on Saturday a crowd of Egyptians were celebrating the previous day’s events in Tahrir Square, and their countrymen’s victory over an oppressive regime supported by so many Western governments. I sincerely hope the cause of their understandable happiness lasts, although I fear Egypt is a country where there must be many dangerous people who have reason to fear the justice that democracy could bring.

Atop his column, meanwhile, Nelson serenely looked out over the River Thames and the Empire from atop his wonderfully impressive column. There’s something symbolic about the way he so resolutely turns his back on the political gestures and statements that ordinary mortals make in the square – I don’t know if it was the intention of the original architect and artist, but his stance could have been calculated to represent the establishment’s view of most of what happens behind him.

Nelson's ship in a bottle 4 Nelson's ship in a bottle 5

Stan Hugill singing shanties in proper style

Stan Hugill, shanty singer

Stan Hugill sings South Australia at the Workum Shanty Festival in 1990

Here’s a treat that I just have to share – a Youtube video of a real old fashioned shanty singer, including the characteristic ‘breaks’ and shouts that are so unfamiliar to us now.

If the style of the singing may seem strange, it’s because we tend not to sing that way now – shanties and folk songs generally have often been very much sanitised and prettified.

But this is the real thing. As a young man, Stan Hugill sang shanties on some of the last commercial sailing ships, and went on to make a serious study of sea songs. He’s been gone from us for quite a few years now, but his books about sea songs are still classics, and his views are highly respected.