Marc Chivers and helpers build a 13ft clinker pilot punt

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Once again, Boat Building Academy principal Yvonne Green has sent us some more photos from the big student launch day at Lyme in December. Thanks Yvonne!

Marc Chivers was a manager with the NHS before he decided to change his life.

At the Boat Building Academy he built a 13ft traditional clinker pilot punt in larch on oak with a grown crook for a stem. She’s fastened with non-ferrous fastenings and bedded in a traditional manner, and the the lines were taken from a work of historical reference by Malcolm Darch.

Marc’s main helpers on the build were Seb Evans, who now wants to design and build traditional craft for a livingt, and Kevin Marshall, who is now working for T Nielsen & Co at Gloucester Docks.

By the way – I’ve just seen a pdf file of the Academy’s prospectus for the coming year, and I must say it makes very interesting reading. Email Yvonne at office@boatbuildingacademy.com and I’m sure she’ll send you a copy.

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Food for thought from the WBTA survey traditional boat enthusiasts’ buying habits

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Nick Smith traditional boatbuilder at Beale Park Thames Boat Show 2008 Rowing gig Young Bristol sees some action
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Boat builders’ projects featured at intheboatshed.net. From left to bottom left: Nick SmithWin Cnoops and the Slipway Collective, Will Stirling and Fabian Bush

Traditional-style boat buyers are life-time enthusiasts who seem to buy a ‘fresh’ boat every three to five years.

This maybe because their life circumstances change often enough to require a different boat, because they like novelty of trying something different – or it may be that they are searching for the perfect boat they never quite manage to find.

Does this any of this describe you? If not, I imagine it describes quite a few people you know!

It’s just one key finding from a survey commissioned by the Wooden Boatbuilders’ Trade Association, which intheboatshed.net has been sent in return for helping to recruit a significant number of people to fill out the survey questionnaire.

The survey was carried out and written up by Alison Kidd and Peter Williams of www.prospectory.co.uk.

It turns out that some 11 per cent of traditional-style boat buyers’ purchases are new boats, most of which are built using modern rather than traditional techniques, and the vast majority buy second-hand boats that may be either ready to sail or in need some repair or restoration. These are often found via the Internet.

It also seems that second-hand boat buyers are as likely to buy plans as they are to buy boats.

What concerns me more is that just 10 per cent of the survey group who had bought boats since 2000 were first-time buyers. Taken together with the fact that boat buyers tend to be an older group this rather suggests that boatbuilders, magazines and suppliers in this area are failing to make headway in appealing to new, probably younger customer groups.

I think that’s a frightening thought.

However, it’s nice to be able to report that those who do buy new traditional-style boats are heavily influenced by exhibitions in general but particularly by the Beale Park Thames Boat Show, which is a tremendous annual exhibition of fine boat building. However, it’s striking that the Internet isn’t much used as a means of finding new boats, even though it is a popular route to buying older boats.

The survey’s authors therefore suggest that a better gateway site or even a means of searching for and comparing different options, features and prices online would be helpful. I couldn’t agree more, for while the second-hand boat sales sites are well organised and effective, when you’re looking for a newly built boaqt the picture is very different. As the survey authors put it: ‘unless you know the name of the new boat you’d like to buy or the name of its builder, you are unlikely to stumble across it in the Internet. Many of the WBTA boats are not widely known classes of boat’.

Clearly it would be helpful if the WBTA or someone else were to establish a gateway site that would list traditional style boat vendors’ new boats – but we haven’t got that yet. In the meantime, however, we do have intheboatshed.net. For more than two years, we’re been offering to publish stories about boatbuilding and boat restoration projects, and even for sale notices about particularly interesting traditional old boats, and to do this for free.

All we ask for is photos and some information – some sense of the story, of the people and as appropriate about history behind the boat, and its use now and in times past. We’re also interested in technical issues that impact on these things, even down to discussing lines, boatbuilding methods etc. Follow this link and this link to see how it works – these aren’t lectures but in addition to the pictures, there’s usually a little to learn from each post.

In fact, there is a short roll-call of traditional boatbuilders who have made good use of intheboatshed.net’s offer, and their names will be familiar to regular readers of this weblog. With their help, intheboatshed.net has become popular and has reached a point where it gets around 500 visitors and a thousand hits a day, by conservative measures.

I’d say thank you to those boatbuilders – and I’d encourage other traditional boatbuilders to get involved.

What’s more, it seems to make sense to set up a page here offering a good list of boat types and specialist types of restoration, together with the boatbuilders contact details and weblinks where possible.

What do you say? Contact me at gmatkin@gmail.com.

Three score and ten – the greatest fishing disaster ballad

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The chilling engraving The Storm by William Miller after Van de Velde,
published in 1858, taken from the Wikimedia. They’re not English East Coast
fishing smacks, but sadly I haven’t been able to find a suitable engraving
from the correct era

‘As day after day passes and no tidings arrive of the missing Grimsby smacks, it is beginning to be realised that the gale of the 9th ult. will prove one of the most disastrous to the Grimsby fishing trade on record. altogether nearly a dozen fishing vessels, carrying between 60 and 70 hands, are missing.

‘Most of the vessels were provisioned for eight or nine days, and many of them have been out for over a month. Of the safety of seven of them all hope has now been abandoned.’

Report from: The Hull Times, 2nd March 1889

Most people of my generation with a long-standing interest in traditional music have probably sung this song at one time or another, particularly those who like me come from nearby one of the the East Coast major fishing ports.

It’s a big favourite with a magnificent, anthemic chorus, and a powerful theme, and it’s also a song that some of us connect with some remarks  made by old Sam Larner in relation to a storm he remembered from his childhood. Back in the 1950s, he told Peggy Seeger and Ewan MacColl that the big East Coast storm that people remembered was in 1884, and that there was a saying: ‘Oh dear, oh Lor – the dreadful fishing of 1884.’

Well, Jim Potter has been digging around and has discovered that the song actually refers to a storm in 1889, and that  some 70 hands from Grimsby – three score and ten – really did die that February night, as the newspaper quotation above shows.

This is February 2009, almost 120 years to the day since those brave and unfortunate fishermen met their deaths. As many sailed from Grimsby, we can assume that quite a few were orphans or had been abandoned by their parents and were often treated pretty badly by their employers and surrogate guardians, as Anson makes clear in his book British Sea Fishermen.

Anyway, you can read all about Jim’s research at Folk Leads, find the original fisherman’s poem from which the song developed and read about the Three Score and Ten fishermen’s gravestone that he has identified .

I haven’t been able to make the link to his recording of the song work, so if you want to hear how this one goes, you’ll have to make do with my recording of this great old song.

For more songs at intheboatshed.net, click here.