Fishing boats on the Green River, Kentucky

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This is a splendid, entertaining piece of film about some fellas who have built traditional flatties for fishing on the Green River. Also check out the shanty boat film below – I have a feeling this is rather more made-for-entertainment, but it’s great fun and the most amusing thing most of us will see today. And those boys can’t half play!

All my life I’ve been awash with American culture – music, film, TV shows, fashions, products – and the USA often feels like a close relative – but despite all of that watching these movies is a powerful reminder of just how far away and how different life the USA really is for most British people.

My thanks to in theboatshed.net reader Larry Henry for bringing these two clips to my attention.

The first St Ayles skiff building progress, 9th October 2009

St A Skiff 577

the never ending cleanup DSC_3518 Cox's seat

Alec trying tiller options

Chris Perkins’ and Alec Jordan’s latest photos of the first St Ayles skiff build, including some more shots of the increasingly well exposed Alec Jordan – I hope he enjoys his new celebrity!

These are Chris Perkins’ and Alec Jordan’s photos showing the latest progress on the Iain Oughtred-designed St Ayles skiff currently  going together in Alec’s workshop for use by the Scottish Coastal Rowing Project. For more on this story, click here.

Here’s what Chris has to say this week:

‘A belated catch up report, for which apologies, on the progress of the St Ayles Skiff.

‘My last week on the project was spent cleaning up the inwales, building a temporary cox perch and generally helping fit the furniture and titivating. Each time this stage is reached in a build I am amazed at how much time is absorbed removing material. Work that will never be appreciated by anyone who has not got that particular T shirt but is immediately apparent if it is neglected. The route to a respectable finish always lies in the preparation – a truism that can never be said often enough in my view.

‘The snaps include a couple of high level shots showing the almost structurally completed boat, just the breasthooks to fit at that stage (now done), obtained after some precarious ladder work by Alec in the upper reaches of his workshop.

‘The cox’s seat is a temporary affair until the positioning of feet and seats are proven on the water, after which the buoyancy compartments will be retrofitted – space is pretty tight and it would be easy to get positioning wrong in a static environment – we really need to see the dynamics of the interaction of the various bodies to establish best position.

‘The week passed all too quickly and my time on the build was over. Altogether it has been a fascinating few weeks that has transformed my view of kit boats. I am extremely grateful for Alec’s invitation to join in the build which I hugely enjoyed – so much so that I have put my name down for the Ullapool group aiming to build the first West Coast St Ayles skiff, although I’m not sure I have the spine to be an oarsman.

‘Alec has now started applying the finish, varnished gunnels and thwarts with the rest of the hull painted so it shouldn’t be too long before I head down to the other end of Scotland to see how she looks on the water.

‘Chris’

Thanks once again Chris!

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OK number 15 on show at the National Maritime Museum Cornwall

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pingpong0004

K33 leads OK at Maritime Museum

OK 15 Ping Pong racing with her contemporaries, and at the National Maritime Museum – boat collections manager Andy Wyke is shown for scale!

An early example of the popular 4m (13ft 1in) OK singlehanded racing dinghy is on show at the National Maritime Museum Cornwall until the end of December this year.

The OK was the brainchild of Danish architect Axel Damgaard Olsen who, in 1956, saw the need for a fast, singlehanded boat with a simple unstayed rig that would be exciting to sail – and provided the inspiration for his friend Danish yacht designer Knud Olsen to draw up the plans.

Considered easy for home construction, the first 70 boats were built in Denmark between 1956 and 1957. By 1974 the class had achieved international status: numbers worldwide now exceed 15,000.

The Museum’s OK is number 15, Ping Pong. She was built in 1961 by Hugh Patton, who built several dinghies for himself and others in the back of his watchmaker’s repair shop in Bath.

He was also a successful sailor and sailed the dinghy in Olympic Trials in  1963, when it was thought that the class might be involved in the Tokyo Olympics of 1964.

Ping Pong was sold out of the Patton family in 1968 and was donated to the National Maritime Museum Cornwall by the OK Dinghy British Class Association in 2008.

NMMC boat collections manager Andy Wyke observes that originally the dinghy was to be named KO, after Knud Olsen’s initials, until someone pointed out that Ko is Danish for cow!

Today the OK is one of the most widespread international dinghies, with a loyal worldwide following. It is sailed in over 20 countries and has inspired many sailors to become involved in the sport.”

Dave Cooper, the International OK Dinghy UK website’s editor kindly supplied the photos above showing Ping Pong racing with her contemporaries. I asked him what he thought the appeal of the boat and the class might be, and this is what he said:

‘Hi Gavin,

‘Actually, OKs haven’t changed very much at all: now that flat side decks are back in fashion, contemporary hulls are pretty much identical to my first (1968) boat!

‘The materials have changed a bit: there are lots of foam sandwich epoxy boats now, but a new plywood boat came second at this years Nationals, so it’s not all over for wood yet!

‘The big change has been the rigs: the pic of Ping-Pong at the dinghy show gives quite a good impression of the wooden mast (laminated and very beautiful, I always thought) with the boom going right through a big slot in the mast. The booms had an ash front end scarfed to a spruce spar. Wood was superceded by aluminium, and now we’re using carbon.

‘Sail shape has also changed a bit. Someone in the 60’s pushed the top batten up a bit to make the sail more like the Merlin Rocket’s sail (I still say it’s illegal!), but the class still sticks with Dacron, so there are no laminate or Kevlar sails.

‘The class rules tie the boat down to a pretty fair one design, but sheeting and sail controls are completely free, so there’s plenty of scope for individual preference and experimentation.

‘I think people like the OK because it’s a design you can sail anywhere: just as happy on a river or gravel pit as out in big waves in the open sea. They sail well in any wind from bugger-all to way-too-much. The competition is always terrific: at any event there are desperate struggles going on right through the fleet with the guys at the back tussling just as hard as the front runners, and because the design isn’t particularly fast all the racing is very eyeball-to-eyeball.

‘It isn’t a particularly easy boat to sail, but doesn’t have any vices that good technique won’t overcome, so practice and pushing your own limitations pays dividends.

‘For the top-end sailors the international competition is a huge draw. Going to the OK Worlds lets sailors line up against some of the best helms anywhere, but without any professionals it’s a level playing field for everyone. Once upon a time people like Jorgen Lindhardtsen, Nick Craig, Turtle Wilcox and Karsten Hitz were ordinary club OK sailors, just like us!

‘For ordinary folk (like me!) OK sailing is a ton of fun and doesn’t cost the earth. We can line up against the top guys, too. Certainly we get thrashed, but not without the occasional satisfaction of tacking on top of Nick Craig or Terry Curtis.

‘Rule compliance is pretty good in the class but protests are non-existant (last UK protest was in 2004, and that was a Belgian!), so you can guess that racing is pretty friendly. Socially, the class is a currently a lot less wild than it was in the 90s, when they got banned pretty much everywhere. I think the attitude of ok sailors, who I’ve always found amazingly friendly and encouraging, is another big factor in making the class a great place to be.’

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