Three score and ten – the greatest fishing disaster ballad

the_storm_engraving_by_william_miller_after_van_de_velde-470

The chilling engraving The Storm by William Miller after Van de Velde,
published in 1858, taken from the Wikimedia. They’re not English East Coast
fishing smacks, but sadly I haven’t been able to find a suitable engraving
from the correct era

‘As day after day passes and no tidings arrive of the missing Grimsby smacks, it is beginning to be realised that the gale of the 9th ult. will prove one of the most disastrous to the Grimsby fishing trade on record. altogether nearly a dozen fishing vessels, carrying between 60 and 70 hands, are missing.

‘Most of the vessels were provisioned for eight or nine days, and many of them have been out for over a month. Of the safety of seven of them all hope has now been abandoned.’

Report from: The Hull Times, 2nd March 1889

Most people of my generation with a long-standing interest in traditional music have probably sung this song at one time or another, particularly those who like me come from nearby one of the the East Coast major fishing ports.

It’s a big favourite with a magnificent, anthemic chorus, and a powerful theme, and it’s also a song that some of us connect with some remarks  made by old Sam Larner in relation to a storm he remembered from his childhood. Back in the 1950s, he told Peggy Seeger and Ewan MacColl that the big East Coast storm that people remembered was in 1884, and that there was a saying: ‘Oh dear, oh Lor – the dreadful fishing of 1884.’

Well, Jim Potter has been digging around and has discovered that the song actually refers to a storm in 1889, and that  some 70 hands from Grimsby – three score and ten – really did die that February night, as the newspaper quotation above shows.

This is February 2009, almost 120 years to the day since those brave and unfortunate fishermen met their deaths. As many sailed from Grimsby, we can assume that quite a few were orphans or had been abandoned by their parents and were often treated pretty badly by their employers and surrogate guardians, as Anson makes clear in his book British Sea Fishermen.

Anyway, you can read all about Jim’s research at Folk Leads, find the original fisherman’s poem from which the song developed and read about the Three Score and Ten fishermen’s gravestone that he has identified .

I haven’t been able to make the link to his recording of the song work, so if you want to hear how this one goes, you’ll have to make do with my recording of this great old song.

For more songs at intheboatshed.net, click here.



British Sea-Fishermen, by Anson – part II, from Buchan to Grimsby

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Anson British Sea-Fishermen

‘Most of the apprentices had been brought up in orphanages and
reformatory schools… The system produced splendid fishermen,
but the evils were many.’

The quotation comes from Anson himself, and he’s talking about the Grimsby fishing fleet. As a North Lincolnshire boy who grew up with the sons and daughters of at least a few fishing skippers, I’ve always had a bit of an interest in fishing communities, their boats and their songs, even though I have no interest at all in trying their difficult and dangerous trade myself. But I’ll say one thing – after reading Anson, I’ll forever think about the favourite hymns and songs that came out of fishing in the 19th century in a completely different way, for among other things they were the songs of boys who had no choice about the trade they had entered. Think of a bunch of pressed boys singing the words of Eternal Father Strong to Save, Three Score and Ten and Heave Away the Trawl Warp for a while, and you may see what I mean.

For a little more on Three Score and Ten, start here.

Anson British Sea-Fishermen Anson British Sea-Fishermen Anson British Sea-Fishermen

Anson British Sea-Fishermen Anson British Sea-Fishermen Anson British Sea-Fishermen

Anson British Sea-Fishermen Anson British Sea-Fishermen


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