Nick Smith’s latest 20ft motor launch now planked up – and waiting for her ribs

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nick smith 20ft launch planking

nick smith 20ft launch planking painting

Nick Smith has now finished planking his latest 20ft motor launch project, which he’s given the working title of Bamboo Viper II. The name comes from an earlier similar boat named Bamboo Viper that he built some years ago and has exhibited regularly at the Beale Park Thames Boat Show.

Reaching this point in the build caused him to reflect for a moment on how boats these days are expected to last much longer than in years gone by, and on how builders have changed their approach. Here’s what he says:

‘Gav,

‘So Bamboo Viper II is all planked up, the boat is to be painted throughout except for varnished topstrake, and so the hull primed inside before the ribs go in, which will protect the timber under the ribs in the bilge.

‘Back in the day, these boats were built quickly and with a built-in short life – they were built bare and painted or varnished only after the build.

‘I’m reminded of the night in Clovelly when there was the famous storm many years ago when some 50 dinghies were smashed up on the beach. Losses like that were a regular occurrance years ago, so why bother to build boats to last?

‘It’s different now, the boats are pleasure boats that are not heavily used, and and are cotton-wooled compared with the old boats. So I build them to yacht standards both structurally and finish-wise.

‘Now gearing up for steaming out of the green oak timbers. More photos will be on their way after the steam out.

‘Regards

‘Nick’

Thanks Nick. I guess there are quite a few factors here; there’s obviously no doubt that working boats have a much harder life than most boats built for leisure use. I’d guess also that in the old days in many places there would simply be more working craft needing moorings – and that some would necessarily be moored in more vulnerable locations than others. I wonder also about the quality of the moorings – have we got better at this kind of thing, I wonder?

I’d also guess that another factor is that boats used for pleasure purposes get left for months at a time, often because of work commitments, family issues and so on. A working boat is much more likely to get regular use, and therefore regular care and maintenance.

And hey, Nick, how about a stop-time video of the steam out? Has anyone got a camera that can do it automatically?

Click here for more posts relating to Nick’s impressive old-fashioned motor launches.

Nick, who is a WBTA member, comes from Devon, learned boatbuilding the traditional way and specialises in new builds in clinker and carvel for sail, motor and rowing power from 8ft to 28ft with a special emphasis on West Country style and design, and also takes on repairs and refits from 25ft to 50ft. These days he’s based in Hampshire, and can be contacted by email at nick_smith_boatbuilder@yahoo.com and by phone on phone on 07786 693370.

Want to learn more about boatbuilding using the clinker technique? Try John  Leather’s book Clinker boatbuilding at the revived intheboatshed.net A-store.

An extraordinary launch at Lyme for Gail McGarva’s lerret Littlesea

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Launch day for Gail McGarva’s lerret Littlesea. Those Boat Building Academy folks certainly know how to organise a party!

Gail McGarva’s lerret named Littlesea was launched at Lyme with all due ceremony on the 31st July, during the town’s Lifeboat Fortnight. Vera, the last seaworthy original lerret built in 1923 and the model for the new boat, was in attendance, along with two local racing gigs and what from the photos looks like half the town.

The lerret is a boat wholly native to Lyme Bay going back to 1682, and is a beautiful beamy double-ended clinker vessel of 17ft, built in elm on oak. Designed to be launched and landed from the area’s steeply-shelving stony beaches, lerrets have remained virtually unchanged from their beginning.

Although primarily used for mackerel fishing, lerrets also earned such respect for their seaworthiness that in the early 19th century the newly formed RNLI adopted two for service as lifeboats. Archive material recounting their stories of saving lives at sea is said to be extensive and quite remarkable, and Littlesea was launched during Lifeboat Fortnight in order to celebrate the connection.

As an earlier post about the project explained, Gail was awarded a scholarship to build a lerret from the Queen Elizabeth Scholarship Trust, funded by the Royal Warrant Holders Association.

Gail built this boat by eye – that is, without designer drawings – under the mentorship of Roy Gollop,one of the last remaining boatbuilders in Dorset with this particular skill.

Littlesea is to be actively used as a training boat to enable young people to gain confidence at sea,develop their rowing skills and work together as team.

The new lerret and procession, complete with an oar salute from Lyme Regis Gig Club, journeyed from the Boat Building Academy,which  housed the building of the boat, to the harbour slipway. The boat bearers and rowers were dressed in Sunday best of white shirts and waistcoats in a deliberate echo of boatyard launches of the past, and were accompanied by a brass band.

Gail gave a speech and presented Roy with a traditional yard foreman’s bowler hat in appreciation of his guidance and support, and the new lerret was named by Queen Elizabeth Scholarship Trust president William Gunn. The boat was blessed, a local songwriter performed a song for the occasion, and the boat was then carried through an archway of Cornish pilot gig oars, scattered with sea salt for safe passage at sea and launched behind the protective arm of the harbour’s sea wall, known as the Cobb.

Littlesea was then guided out to sea by the RNLI lifeboat The Pearl of Dorset, accompanied by Vera and escorted by Lyme’s two Cornish pilot gigs,which were also build by Gail in 2008 and 2009.

Littlesea is the local name for the Fleet behind Chesil Beach, as Gail learned from 90-year old Majorie Ireland. Marjorie’s family worked the lerrets along Dorset’s shores.

There are many references to lerrets in Basil Greenhill’s Working boats of Britain: their shape and purpose and also a nice description, a drawing and photos in his Chatham directory of inshore craft.

Michael Kahn’s marine photos on show at Penobscot Marine Museum

Michael Kahn brings an element of abstraction to the windjammer exhibit at Penobscot Marine Museum

Michael Kahn brings an element of abstraction to the windjammer exhibit at Penobscot Marine Museum Michael Kahn brings an element of abstraction to the windjammer exhibit at Penobscot Marine Museum Michael Kahn brings an element of abstraction to the windjammer exhibit at Penobscot Marine Museum

Michael Kahn brings an element of abstraction to the windjammer exhibit at Penobscot Marine Museum

Michael Kahn’s stylish black and white marine photography is on show at the Penobscot Marine Museum until the 24th August

This striking shot is one of a collection of beautiful and smoothly textured photos by Michael Kahn currently on show at the Penobscot Marine Museum as part of its continuing exhibition Earning their keep: Maine’s windjammers.

Kahn, you won’t be surprised to learn, is captivated by boats. ‘Seldom in man’s history have we created something as beautiful and as functional as the  sailboat,’ he is reported to have said. ‘These boats symbolize more than just basic transportation. They represent the ability of man to work with nature. To harness the power of the wind and endure the strength of the sea is an awesome achievement.’

If you’re wondering about the rich texture of the image above, I gather it’s a Kahn  trademark and that his images are hand-processed gelatin silver prints. I think this man’s eye is just as impressive – see how the dinghy is moored to the sailing ship’s dophin striker, and how it’s partly framed by the bowsprit – and having clocked that, notice the delicious reflection on the water.

The museum’s press officer, who happens to be my friend Bob Holtzman, adds that Kahn’s work has appeared in a wide variety of magazines ranging from Cruising World and Family Circle to the New York Times. His work even made an appearance in the James Bond movie Die Another Day.

For more information, see the museum’s website. A book of Michael’s photos is also available from Amazon: The Spirit of Sailing: A Celebration of Sea and Sail.

PS Have you used the little logos below yet? They allow you to share this post via Twitter or Facebook, save the link in Google or your own web browser, and finally you can email the link to a friend. Handy, I’d say…