Pathé newsreels: the London Boat Show of 1967, and Blyth and Ridgway row the Atlantic

Boat Show London 1967

Two hugely nostalgic Pathé newsreels caught my eye today – at least, they are for me. Lots of other folks might think they’re interesting historical documents!

The first is about the London Boat Show of 1967 and the then-fashionable hobby of sailing dinghies, which were often home-built. I have a hazy memory of my father attending the show about that time, and it wasn’t long before I was up to my armpits in ply and goop building our own Mirror paid for on the then-new hire purchase system.

The second celebrates Chay Blyth and John Ridgway arriving in Ireland in 1966 after rowing the Atlantic.

Enthusiasm for rowing oceans in adapted dories does not seem to have gone away in the intervening decades – but where did all the sailors of little dinghies go?

Boat Building Academy students build a small South Bay catboat

  Michael Tyler's Catboat 'Lucie' designed by Mike Broome. Photo by Emma Brice

Boat Building Academy students Mike Tyler, Jon Bicknell and Andy Blundy built this strip-built South Bay-style catboat to a design worked up by the students with the help of instructor Mike Broome.

Local lad Mike – he commuted to Lyme from Sidmouth each day of the course – worked in banking before coming to the BBA. However, he seems to be a man of many interests: previously he had studied sculpture at art college, where he frequently worked with driftwood, and dreamed of becoming a boat builder.

Mike particularly wished to build an ‘original’ design with a sculptural form, and was inspired by the Victorian half rater built by another BBA student, Martin Nott. Mike then came across the 21ft Gilbert Smith design Lucile that was then redesigned to a manageable size with instructor Mike Broome’s help – and the result was the 14ft Lucie.

Mike Tyler is now at Pangbourne, Reading, and involved in setting up the new Beale Park Maritime Museum.

Jon comes from a background in information technology design and Jon worked predominantly with Mike on Lucie – although did spend an hour here and there on other builds. Having finished the course is now busy finding his feet in the boat building industry.

I gather Andy, who was previously a floor layer, was a little less involved – but was an asset to everyone at the Academy, always cheery and ready to help. Like the other students not building their own boats, he circulated around the boat builds to gain a thorough knowledge on as many construction types as possible.

We recommend: Swin, Swale and Swatchway by H Lewis Jones, reprinted by Lodestar Books

Swin-Swale-and-Swatchway-Front-Cover

I’ve just read H Lewis Jones’ book Swin, Swale and Swatchway in a new edition from Lodestar Books, and I have to say that it’s a rattling good read.

Lodestar proprieter Dick Wynne has kindly given me permission to put up a section of Swin, Swale and Swatchway – download it here. The whole thing is of course available at a very reasonable price from the Lodestar Books website.

Lewis Jones’ book about cruising around the Thames Estuary and its various creeks and rivers quickly turned out to be one of those that I read from cover to cover and didn’t want to put down. I come across only three or four such books a year that meet that description.

On starting to read Swin, Swale and Swatchway I quickly felt I was in familiar territory – yes, the sailing areas he describes are often familiar, but more there seems little doubt that Lewis Jones was a powerful influence on many sailing authors who came later. That’s what I thought when I first sat down to read, and I was enormously pleased to be vindicated later when I learned that Maurice Griffiths, no less, was a Lewis Jones fan.

Published in 1892 and not reprinted until now, Swin, Swale and Swatchway still seems very fresh, and almost every page seems to includes something quotable. Here are a few very small samples

‘The Medway in its lower reaches is a splendid cruising ground for small craft, certainly there is no other place at once so accessible from London and so convenient for small-boat sailing. From Rochester Bridge to Sheerness there are nearly fourteen miles of water, all open except in the neighbourhood of Rochester itself… For the rest of the distance the banks are low, so that the winds blow true and without squalls; there is soft bottom everywhere, so that no harm can follow from any accidental going ashore, and for a large part of the distance, in fact for nearly the whole way from Gillingham to Sheerness, there are a series of side creeks and channels, along which the man who is fond of exploring expeditions can penetrate into no end of quaint corners, and can find plenty of quiet anchorages for the night without alarms of any sort.’

Again, on the subject of one of these creeks:

‘Long ago, Stangate Creek was full of hulks, and was used as a quarantine station, and at the time of the Crimean war there was a large number of Russian prisoners kept there. When any of them died they were buried on the island, between Stangate and Queenborough, which has the name of Dead Man’s Island. Tradition says that the fishermen used to dig up the coffins for the sake of the oak planks of which they were made; and Benson says he once picked up on the shore there a hollow thing which he used for a bailer for some time, until he discovered that it was a piece of human skull, and hastily threw it overboard.’

Benson, I should explain, was the experienced Thames sailor and Mr Fixit who looked after LewisJones’ boat when the author was going about his workaday business.

Finally, here’s a Lewis Jones anecdote explaining why tying up overnight at Rochester wasn’t necessarily such a good idea in the late 19th century:

‘Once, when we were anchored near the Sun Pier, about five in the morning, an enterprising young ruffian thought the occasion a good one for coming alongside to prospect for moveables, little reckoning that as he touched the little vessel’s sides there would emerge, Jackin-the-box like, a half-dressed and dangerous looking figure from the fore hatch and another from aft, with a truculence of aspect heightened by a pair of gold spectacles; and that both, in well drilled chorus, and in accents bland, would demand an explanation of the unexpected visit. The double-barrelled apparition proved too much for our young friend; his jaw dropped, he hastily withdrew, murmuring by way of apology for his intrusion, “I say, d’yer stay out all night in that ‘ere?”‘