Gunning punts in Norfolk and Essex

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Gunning punt at the Museum of the Broads, Stalham

Gunning punt at the Museum of the Broads, Stalham Gunning punts at the Museum of the Broads, Stalham Gunning punt at the Museum of the Broads, Stalham

Gunning punts at the Museum of the Broads. The smaller boat is styled after
a gun punt but is too small for the purpose.

Intending to pick up on another recent theme from Chris Partridge’s Rowing for Pleasure weblog, I took some photos of gunning punts at another of my favourite small boating museums, the splendid Museum of the Broads at Stalham.

So imagine my surprise when I found he has only today put up a series of photos virtually identical to mine. Ah well… Great minds and all that. I trust he won’t be offended if I put mine up also.

The folklorist, antiquarian and scholar Reverend Sabine Baring-Gould lived at Mersea in Essex for ten years, and Hervey Benham quotes Baring-Gould describing the business of gunning like this:

‘At a former period wild-fowl shooting was largely practised by the [Mersea] islanders, who had their punts painted grey… In these shallow boats they lay for many hours at night and contracted both ague and rheumatism. My impression was that generations afflicted with these complaints acquired in the marshes had lowered the physique and mental development of the islanders. When the east wind blew the wild ducks and geese came in flocks near the coast where they were surrounded and shot.’

Call me a pessimist, but I can’t help thinking this tactic of surrounding and shooting the birds must have led to some nasty incidents in which some of the boatmen must also have been injured.

In a way, gunning punts are still used in Norfolk on a regular basis – for they were adopted for racing and developed into the scary Norfolk Punt, a high-powered sailing racing machine still sailed regularly on Barton Broad. But that’s another story that I’d like to tell one day.

PS There’s an interesting postscript to Chris’s Rowing for Pleasure post on gunning here.

The horrific burning of the British East-Indiaman Kent off the coast of Bengal


Burning of the British East-Indiaman Kent by Theodore Gudin

Burning of the British East-Indiaman Kent Burning of the British East-Indiaman Kent Burning of the British East-Indiaman Kent

Burning of the British East-Indiaman Kent

The burning of the British East-Indiaman Kent, pictured by Théodore Gudin in 1825

I won’t be able to put up many posts at intheboatshed.net this week as we’ll be sailing on the Norfolk Broads for the next few days – though you can be sure I’ll try to come back with with a collection of stories and photos!

In the meantime, here are some more of my promised shots from the wonderful Paris Musée de la Marine.

Like the previous featured painting of Napoleon being feted by crowds at Antwerp, this is also by Théodore Gudin – but the subject couldn’t be more different.

Instead of a successful and adored leader surrounded by a cheering admirers, The Burning of the Kent shows the British East India Company ship sinking and burning in a storm off Bengal. The story goes that during the storm a lamp fell during a powerful gust and set fire to the ship close to the area where the gunpowder was kept.

Gudin pulls no punches in presenting the horror of the disastrous sinking, or the heroism of the rescuers from another British ship, the Cambria.

For more intheboatshed.net posts featuring Paris, click here.

Bill Serjeant reaches the Scilly Isles

Hurrah! Bill Serjeant has reached the Scilly Isles at the end of his epic cruise starting from the coast of Essex, near his home.

He made the journey in a Matt Layden-designed 14ft Paradox and was accompanied for the last leg by his friend Al Law, another British Paradox builder-owner.

Well done Bill, and well done Al too! Read all about it at Bill’s Log, and why not leave a message of congratulations using his comment links?

Click here for more about Bill at intheboatshed.net.

Click here for more about Matt’s boats at intheboatshed.net.

Click here for more about Matt Layden’s sharpies including the Paradox.