Sea-Boats, Oars and Sails by Conor O’Brien

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Many readers will know that gun-runner, naval officer and circumnavigator Conor O’Brien’s book Sea-Boats Oars and Sails is a classic of small boat sailing and cruising – the good news is that it is now available again in an elegant paperback format from the Lodestar Books.

The prices are £12 sent to the UK, £13 to Europe, and £15 to areas of the world beyond Europe.

The photo above is of a François Vivier-designed Ilur, which is said to embody the qualities advanced by O’Brien in this book – the boat in the shot belongs to Tim Cooke and is sailed by him in the waters of south-west Ireland.

If you’re not convinced you need a copy, perhaps the following few sentences (and the link to a chapter below) will help demonstrate why it deserves a place on the bookshelf.

Just in these few lines, you’ll likely find he’s dogmatic about something he has experience of, reveals a little sense (on luffing) that may not be as common as it should be and, of course, in his spare style, he draws a picture that’s only too easy to conjure in your imagination. (He was writing in 1941, a time when taut writing was coming much more into fashion.)

‘The sailing boat referred to in this book, which excludes all racing craft, is not a miniature yacht. Their functions are different; the boatman is dependent on the shore, and has to make his port in good time, the yachtsman can keep the sea as long as he likes. But a sailing boat, as I define the term, is not merely a small yacht stripped for action; the significant difference is in the method of handling them. The yacht is almost uncapsizable, and, if luffed head to wind, heavy enough to carry her headway for some little time after the sails have ceased to draw. The boat stops immediately the propelling force fails. In a yacht the main sheet is belayed, keeping the sail at a constant angle with her keel, and to spill the wind out of the sail in a squall she is luffed, or turned towards the wind’s eye with the helm. In a boat the main sheet must be held in the hand, and with it she is played through a squall as a fish is played with rod and line, while she is kept sailing smartly all the time. It is fatal to luff, for if she loses headway she will not recover it till she has fallen off broadside to the wind, and if she is caught in that position with no way on she is easily capsized. Then, if the boat’s sails have to be taken in, they must come in at once, while in a yacht there is never great hurry about reducing canvas. These considerations limit the size of a boat’s mainsail and enjoin simplicity and certainty in working on her gear. As a set-off it should be remembered that the crew can get about their work with far more ease and safety in an open boat than on a small yacht’s deck.’

Read more on this topic in a chapter from Sea-Boats, Oars and Sails here.

 

Another Christmas present: GL Watson – the Art and Science of Yacht Design by Martin Black

GL Watson book image

Martin Black’s 496-page biography of George Lennox Watson is a monumental work, and a Christmas present that would make anyone feel feel valued!

It describes the Scottish yacht designer’s life and work during what has been called the golden age of yacht design, but also focuses on the emergence of the role of the modern independent designer at a time when design was changing from being a slowly evolving craft to a technological discipline making optimum use of new materials and tank testing.

Here’s a quotation from the publisher’s blurb:

‘Watson’s genius shines through in early racing cutters carrying clouds of sail, pro-bono pioneering work on lifeboats, America’s Cup challengers, and ultimately in sumptuous steam yachts, Watson’s adage: Straight is the line of duty; curved is the line of beauty… is consistently evident.

‘Carrying his prodigious research lightly, the author’s work floats easily above its load waterline, including delightful mini biographies of the colourful leading characters. Even the footnotes are entertaining.’

Read all about Martin Black’s biography of GL Watson at the Peggy Bawn Press website. Also read about the restored Peggy Bawn here.

 

Rivers of the South – The Thames

Rochester Castle and Cathedral from the River Medway

These pages about the Thames past and present come from are from Rivers of the South by AB Austin with photographs by J Dixon Scott, published in 1938.

It starts off rather dreamy, historical and angry about the changes the author sees in the landscape of the Thames, but changes in style as it proceeds.

There’s an outstandingly bonkers and dated passage that reads:

‘Until recently the paradox of the richest river in England, and possibly in the world, has been its shunning of those things which bring quick wealth. It has been a trading river, an argosy-bearing river, the river of the merchant-adventurer, not of mass-production, lighting-profit manufacturer. Now its lower valley shelters our light luxury plants, the monotonous assemblers of motor cars, wireless sets and every kind of glossy, brittle synthetic substance, even bakelite insulating boxes to make fool-proof the intestines of cinema organs.’

No quick wealth? What about spice traders, the slave trade and the City of London? The man was a dreamer but he could write a resounding paragraph…

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