Boatbuilding Academy student launch day, December 2009 – some early photos

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Reader Brian Pearson has kindly given me permission to put up a few of the photos he and his son took of the Boatbuilding Academy’s student launch day last Saturday. Thanks Brian!

He tells me that it was a really nice event with lots of people, a watery winter sun – which was great after all the terrible weather we’ve been having – and lots of lovely boats and happy boat builders with their families.

There will be more when principal Yvonne Green manages to send some over together with details of the boats, as I hope she will – and perhaps with luck the students themselves will chip in also.

I must say there are some delightful pieces of work here – particularly the pram with no metal components of any kind. Take a bow, boatbuilding students of Lyme!

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Holmes of the Humber: a review

 

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Eel, drawn by her skipper and designer, George Holmes

[June 2011 – This book is now available again after selling out less than a year after publication.]

Now that my copy has arrived, Tony Watts’ book Holmes of the Humber seems bigger than I’d expected. This is seriously good news, for although it isn’t quite coffee-table book sized, it’s nevertheless big enough to do justice to old George Holmes’ lovely illustration work.

There are also several intriguing photos of the man himself – they’re fascinating because he is so much everybody’s idea of what a slightly eccentric Edwardian uncle really should look like, and rather at odds with his own whimsical depictions of himself in drawings.

I should also add that it’s packed with an impressive amount of material, much of it drawn or written or both by the man himself. As I leaf through the pages I’m struck by how many pages are made up of a mixture of drawings and hand-written text, and can’t help wondering whether this may have been where Alfred Wainright – consciously or unconsciously – found his inspiration for his meticulously hand-written and illustrated books about the Lake District.

The chapters start with his early years, and include a map of the rivers and coast of much of Yorkshire and also the rivers of Lincolnshire. This map is essential to understanding much of the content of this part of book. Quite quickly Watts moves on to material from the Eel years, including a charming draftsman-like drawing of the boat itself and her dinghy Snig quickly followed by an equally sweet page of comic-book style drawings depicting Eel’s first cruise and accompanied by captions including 11pm May 26 1897 Hornsea Beach. Waiting followed by Midnight May 28 1897 Hauling through the surf, then A bit lumpy off the Newsand Noon May 29 1897, Passing the Bull Lightship 2pm May 29 and finally Moored at Ferriby Sluice. May 29 1897.

Holmes’ illustrations and texts just go on and on – the Eel years alone runs to 60-something pages. There’s a nice chapter of descriptions of some of the Humber’s local boat types including the crab boat, the Goole billy boy, the Humber duster, the Paull shrimper and of course an illustration of how a smack’s boat is converted into a blobber, complete with small cutter rig and cozy – but unstable-looking – house.

It’s notable that the up-river blobbers had much taller houses, which went neatly with having no rigs – at least in Holmes’ illustration.

After 15 years with the little 21ft Eel, Holmes moved on to the 28tft Snippet in search of greater comfort – as he says ‘there had come a slight increase in my beam, a disinclination to bend and a desire for standing headroom below’. The early Snippet drawings are then immediately followed by more of Holmes’ comic book-style annotated drawings – this time scenes from his first cruise with Snippet on the Norfolk Broads.

There’s another section of Holmes’ descriptions of various sailing areas including the tidal Trent and the Upper Humber, the Rivers Ouse and Hull, and – astonishingly to me – the River Ancholme. I should explain that the Ancholme lies just a few miles from the small North Lincolnshire town where I grew up, and was pleasantly pleased to recognise some scenes from the river that I haven’t seen since I was a boy, including, of course, the bridge at Brigg, from where the delightful but rarely sung traditional song Brigg Fair got its name.

There’s a short section on Holmes the artist, followed by another on his boat designs including canoe yawls Cassy; the first, second and third Ethel; Daisy; Yum-Yum; Kittiwake; Redwing; T’Rotter; Trent; Design No 7 and Ripple. If you’re in search of material about canoe yawls, you certainly won’t feel let down, but this chapter also includes some ‘house boats’, which are really like more conventional yachts, and a curious round-bottomed barge yacht.

And, finally, there’s what looks like a comprehensive list of Homes’ designs and boats compiled by Albert Strange Association technical secretary Richard Powell.

At £25, Holmes of the Humber isn’t cheap, but it’s a heck of a good package that’s well worth the money. If you’re at all interested in Holmes this book should certainly be on your wish list this Christmas! See http://www.lodestarbooks.com for information.

Mike Lowson builds a ply interpretation of a Shetland fishing boat

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Aberdeenshire-based boatbuilder Mike Lowson has written to say he has just delivered his first commercial build, a 16ft 5in LOD double-ended dayboat, designed by Paul Fisher.

Built in Mike’s own yard known as Northboats, the boat is modelled on the traditional fishing craft of Northern Scotland and particularly especially Shetland.

Mike used to be a journalist, and unlike most boatbuilders is perfectly happy to write at some length, and since it’s all good stuff I’ve decided to give him his head – or almost! (I should add that if you’re looking for another recent post you might have to scroll down the page to find it.l)

Here’s what he says about the new boat:

‘Her hull is of marine ply on a framework of Douglas fir stringers. Her inner and outer stems are laminated from strips of utile, and the stern posts are made from solid utile. The gunwale and inwale are of Douglas fir and tradtionally nailed in place for a pleasing visual effect. The tiller is of ash and the cetreboard case top is of iroko.

‘She is rigged as a gaff cutter with sails by Jeckells of Wroxham and all the spars are Douglas fir. In a modification to the basic plans the boat has been built with shaped fore and aft half-decks to provide some covered stowage when on the water.

‘The main cleats, fairleads, rowlocks, bowsprit fittings and tiller head are in gunmetal and she has a pair of spoon-blade oars, also made by Mike.

‘All wood is finished in Deks Olje no1 while International Paints products were chosen for the plywood hull. She has four undercoats of Pre-Kote and three coats of Toplac top coat.

‘The boat’s new owner also happens to be a neighbour of mine. He was always very taken by the traditional look of these beautiful craft and spent many hours dreaming of sailing off the coast fishing for mackerel under blue skies and calm seas. We discussed a number of possible designs for his budget and agreed on the Selway Fisher Islay skiff. After he commissioned the build he was able to pop in to my workshop regularly and watch her grow from a pile of wood into a beautiful boat. That only heightened his dreams of superb sailing in her next spring, I can assure you.

‘The build progressed reasonably smoothly despite the time-consuming challenges of accurately steaming the 16 stringers – that’s 32 ends in total – to a snug fit on the stem and stern.

‘Planking was relatively straightforward, however, despite the huge amount of twist at the stern. Having the stringers as a guide meant the planks could be cut slightly oversize then finally shaped to fit on the hull, which removed the need for spot-on spiling.

‘Casting the 5lbs of lead for the centreboard was a new challenge, too.

‘Thankfully I had some old lead pipes stored in the shed I could use so I didn’t need to clamber on to the local church roof at midnight to get supplies of the raw material!

‘The boat, named Feadhanach (pronounched Fee-ann-ach, which means gentle breeze in Gaelic), was launched in the Moray Firth in early November.

‘Despite a sizeable swell and light airs she performed well under sail and crept up to 4.6kts in a barely discernible breeze. She was also a delight to row, cutting through the swell comfortably without too much roll.

‘Feadhanach is a modern plywood interpretation of traditional Shetland fishing boats such as the six-oared sixareen and the smaller fourareen. The sixareens were the key to Shetland’s deep sea fishing industry in the 18th and 19th centuries and were descended from traditional Viking vessels.

‘The fishermen of old knew what they were doing by choosing seaworthy boats of this design, albeit theirs were larger. The double-ended hull ensures that she can take a following sea in her stride and remain manoeuvrable on a difficult coastline in tricky conditions. She has a decent 5ft 6in beam, too, ensuring there is plenty of room inside.’

Mike was born and bred in the fishing community of Arbroath, Angus. A former railway operations manager who was the instigator of steam-hauled trains on the Fort WilliamMallaig line, and latterly a journalist with Scotland’s biggest selling daily broadsheet, he set up his boatbuilding and repair business in early 2009 after graduating with distinction from the Boat Building Academy at Lyme Regis in 2008.

During the 38-week course he worked on the restoration of a 50 year-old yacht tender and the build of a Paul Fisher-designed 12ft 6in Northumbian coble. He is a member of Loch Broom Sailing Club, Ullapool, where he sails his 1970s SeaHawk trailer sailer. He also owns a 1968 British Folkboat, which is awaiting restoration.

Mike reports that work is about to start on an Iain Oughtred-designed Norwegian faering for another local customer.

To read more about Mike’s boatbuilding see the Northboats website at http://www.northboats.co.uk or contact Mike at yard@northboats.co.uk.