George Bellows’ painting Men of the Docks acquired by The National Gallery

men-of-the-docks

The National Gallery’s first major American painting  is George Bellows’ 1912 work Men of the Docks.

Purchased from Randolph College in Lynchburg, Virginia, the painting cost a cool $25.5m – to buy it the National Gallery used some of the fund established by the late Sir Paul Getty but also received support from anonymous sources in buying the painting.

The work was made in a period of experiment and innovation in the early years of the 20th century, and its acquisition marks a new direction in the Gallery’s acquisition policy – seeking to represent paintings in the Western European tradition, rather than solely those made by artists working in Western Europe. I gather Bellows owed much to Manet and Goya.

Men of the Docks is the final and largest in a series of Bellows paintings of workers gathered on a frigid winter day on the New York waterfront. It is on display alongside major Impressionist works by Monet and Pissarro.

For more information see the National Gallery’s press release.

American maritime artist John P Benson celebrated in a new book

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Paintings by John P Benson – click on each for a larger photo.
The images that were here earlier are now linked to thumbnails below

John Prentis Benson – American Marine Artist, which comes out early in the New Year, will be the first sizeable book about an important artist who has only recently become recognised or even collectable.

The lack of interest in John P Benson is perhaps surprising, as he was the brother of the renowned American Impressionist, Frank Benson.

Overshadowed in his youth by his highly talented brother, John P Benson practised as an architect for many years before finally becoming a full-time working artist in his 50s.

Once established in his studio at Kittery, Maine, however, he was prolific and painted over 750 works between 1925 and his death in 1947.

Of these, only about 300 are known, which leaves 450 or so either in private hands and yet to be located, or destroyed. Many of Benson’s paintings are still to be found, and possible owners should know that they sell for up to $50,000 when they appear at auction.

Experts say that despite the family connection, Benson’s style was only moderately Impressionistic, and that his work also incorporated elements of Realism and Romanticism.

Benson was born in 1865 in Salem, Massachusetts and grew up a few streets away from the town’s seaport, which is said to have fascinated the young artist. Later in life he painted mainly contemporary and historical ships and boats, and seascapes, and his boats and ships are noted for their detail and accuracy, and his work is said to have influenced  current marine artists such as Geoff Hunt, who illustrated the covers of Patrick O’Brian’s well known novels.

I’d like to thank Bob Holtzman for sending me this story – many readers will know him as the editor of the weblog Indigenous Boats, but he’s also a freelance PR consultant, writer and editor. He’s clearly a diligent operator who understands his media, for he has clearly recognised that intheboatshed.net is very fond of a good painting!

For more on the artist and book, visit http://www.johnpbenson.org/