NMMC exhibition commemorates the last commercial windjammer Cape Horn voyage

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The crew at the wheel of Passat - Holger Thesleff

The crew at the wheel of windjammer Passat (photograph by third officer Holger Thesleff supplied by NMMC)

King Neptune and his court onboard Passat - Holger Thesleff Passat sailing from Falmouth - July 1939

King Neptune and his court onboard Passat (photo taken by Holger Thesleff and supplied by the NMMC); Passat sailing from Falmouth in July 1939

National Maritime Museum Cornwall curators are celebrating the final days of commercial square-rigged sailing ships with an autumn exhibition timed to mark 60 years since the last windjammer cargo ship taking part in a ‘grain race’ rounded Cape Horn.

In the early 20th century the British public gambled on which ship carrying grain from Australia to Europe would make the fastest trip of the year in what were called the grain races. At the time, this was one of only a few trade routes that remained viable for the world’s big sailing vessels.

The exhibition, which is to appear at 12 museums across the globe during 2009, includes a range of original objects from the ships, stunning photographs and a detailed account of that final voyage. The NMMC’s exhibition will also include the photographs by Geoffrey Robertshaw, who recorded life on board the windjammers during journeys between Australia and Falmouth. His personal logbooks, photographs and personal possessions have kindly been lent to the NMMC by Elvin Carter of Devoran.

Farewell to Sails opens on 1 September and runs until the 26 November at the National Maritime Museum Cornwall in Falmouth.

On Monday 7 September Elvin Carter will be giving an illustrated lecture at the Maritime Museum about Geoffrey Robertshaw’s remarkable life aboard the windjammers.

PS… If you haven’t read it, Eric Newby’s book The Last Great Grain Race describes one of these voyages superbly.

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Smugglers: brutal thugs or jolly free traders?

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smugglers

For much of the 18th and early 19th century, Britain’s coasts were the setting for a vast smuggling industry. In some areas huge gangs of men regularly unloaded contraband in full view of the outnumbered and outgunned customs authorities. Whole communities shared in the risks and profits of these illegal free trade enterprises.

The traditional story-book image of smugglers is of generous, jolly, harmless chums who just enjoyed a drop of untaxed brandy and used peaceful persuasion to get the co-operation they needed. But just how accurate is this cosy stereotype? Were real-life smugglers actually more like today’s Mafia or Triads?

In an illustrated talk at the National Maritime Museum Cornwall at 6.30pm on January 28th, Richard Platt will compare the grim facts with the romantic legend.

Richard is the author of two books on this topic Smuggling in the British Isles and The Ordnance Survey Guide to Smugglers’ Britain.

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Cockleshell Hero canoes at the National Maritime Museum Cornwall

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A new National Maritime Museum Cornwall display explores the evolution of fighting canoes used by the British in World War II.

The oldest canoe in the collection, the Mark II, was made famous by Operation Frankton in December 1942, which was the basis for the film The Cockleshell Heroes.

The real Cockleshell Heroes were Royal Marine Commandos, who got their nickname from the canoes that they used, which were known as cockles. They were difficult to spot at night  and easy to hide, launch attacks and seek out suitable landing places, and could even be used to and could be used to land and collect secret agents. Collapsible types could be carried and launched from submarines.

A brief description of the raid and a collection of relevant links appears at the Wikipedia.

I should explain that much of the information now available and some of the artifacts on show is available thanks to the painstaking research work of  Quentin Rees, who has recently published a book on the topic: The Cockleshell Canoes: British Military Canoes of World War Two.

The exhibition, which runs until the 26th April 2009, includes two other canoes in the exhibition are built of aluminium for use in the tropics, and the display is said to bring together three of the rarest military canoes of the time.