If you don’t already know it, Moray McPhail’s Classic Marine website is an excellent resource. There’s an extensive catalogue for all the nice bronze and gunmetal bits and pieces that traditional boats require, including a wide range of fittings for rigging, as well as navigation lights, portholes and lamps, rowlocks and the rest, and there are also boat plans from Iain Oughtred.
Classic Marine homepage:
With Christmas coming up, I’d say the navigation and cabin lighting sections are well worth a look for possible presents.
Moray’s site offers more than a fascinating catalogue, however, for he has written a series of essential articles on every detail of a traditional boat’s running and standing rigging hardware. Perhaps the most useful to many will be his article Using Wykeham-Martin Furling gears – an Unofficial Guide.
Working Sail’s designs are based on the lines of 19th century pilot cutters from the Isles of Scilly, a group of islands in Cornish waters lying at the entrance to the English and Bristol channel. They are said to make excellent yachts due to their excellent seaworthiness and sailing performance. In a way, the fact that pilot boats evolved these qualities should not be surprising: as pilot boats need to be very capable, weatherly and fast in order to make sure their pilot reaches the incoming ship before its rivals.
I’d just like to add that while Lulworth (next post down) makes my jaw drop, the boats of Working Sail below quicken my pulse much more. The boat below is Ezra.
For more from Working Sail:
Prepare to be awed! Lulworth is the largest gaff cutter afloat today, with a length of 46.30m (152ft) and a mast as high as a 17-floor apartment block. She is also widely considered to be breathtakingly beautiful – she was described by the great maritime photographer Franco Pace as ‘the last true gem’.
Perhaps she is above all else a magnificent piece of nautical history, as the sole survivor of the Big Class racing yachts from the 1920s, which included Lulworth, the Prince of Wales’ yacht Britannia, Westward, White Heather II and Shamrock.
The Big Class races were spectacular to watch: the boats had deep keels, long overhanging booms and powerful rigs. Around 45 races were organised in the regatta season from late May to early September, and the highlight came in early August when the fleet headed to the Solent for Cowes Week. Wherever they were held around the British Isles, however, Big Class events attracted huge crowds.
Seventy years after her last Big Class race, she was taken to Italy from a mud berth on the River Hamble and brought back to life during five years of restoration aimed at returning the yacht as far as possible to her original condition, based on a set of drawings dating from 1926.
For more on Lulworth and her restoration:
Large posters, framed photos and calendars of Lulworth and other classics from the early 20th century:
The painting of Lulworth battling it out with Britannia below is by marine artist Roger Davies. Roger sells prints of his splendid paintings from his site: