Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 4

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Three more chapters from Shanghiaed out of Frisco in the Nineties. This time, religious material in the lazaret; a trip ashore; and a sea possum.

‘To practise this black art of tarring, one hand clutches the jackrail; the other hand clutches a piece of canvas that serves as a brush; the tarpot is slung and moved in the best way available. The performer then stoops to conquer. And God help him if any drops reach the holystoned decks below! The great expanse of view exposed to me from the masthead gave me a good idea of the coast-line.’

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For the rest of this series of posts:
Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 1

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 2

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 3

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 4

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 5

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 6

Shanghaied out of Frisco in the Nineties by Hiram P Bailey – part 7



Beyond the Quay, a CD of sea songs by Tom and Barbara Brown

Tom and Barbara Brown’s new album Beyond the Quay is
made up of sea songs

Tom and Barbara Brown are old friends, and I’m very pleased that they should should put out a CD of sea-songs. Songs connected with the sea  have been out of fashion around the folk scene’s clubs and festivals for far too long in this country.

Interestingly, even though I’ve recently heard the claim that sea shanties are the new Rock’n’Roll, there are none here. Instead, this CD is full of songs about ships, ports, sailors, and of course heroes and villains. Most are traditional and most belong to the West Country.

Tom and Barbara’s performances are marked by some very effective harmony singing, of which there are two excellent examples here: Young Susan and a version of The Death of Nelson to a tune learned by the couple from traditional source singer George Dunn of Staffordshire, with additional verses from the broadside ballad.

Another aspect of this disk that I particularly like is that it includes a very nice but less well known version of one of my favourites, The Bold Princess Royal. Tom’s version from Bristol is much harder to sing than the one I know from Sam Larner so much so that he gets extra points from me for making an excellent job of it. I gather it came originally from a singer called Albert Lightfoot.

In the interests of historical veracity I should explain that Tom’s version has the same problem as Larner’s – he has the British ship being chased to windward, which seems unlikely as the Moorish pirates’ xebecs were far better to windward than the British boats during the era being described.

And I should also add that Tom and Barbara have been lucky enough to be supported on this CD by our old friend Keith Kendrick and young musicians and singers Emily and Hazel Askew.

Copies of Beyond the Quay are available direct from Doug Bailey at WildGoose Studios and from folk music CD stockists generally. While you’re over at Doug’s emporium, do take a look at some of the other recordings he has on offer including Keith Kendrick’s recent CD Songs from the Derbyshire Coast.

Further information about Tom and Barbara Brown and a programme of their performances and general doings is available from their website http://www.umbermusic.co.uk .

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A man called John Short

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John Short, otherwise known as Yankee Jack, sitting on the breakwater at Watchet

John Short, otherwise known as Yankee Jack, sitting on the breakwater
at Watchet. Thanks to the EFDSS/Cecil Sharp Collection for
allowing us to use this image

John Short statue by the harbur at Watchet

The John Short statue by the harbour at Watchet

Still on the theme of Watchet, I’d like to introduce readers to a man I hadn’t even heard of until my parents decided to buy a holiday cottage in the little town some years ago.

My ignorance that was my loss. John Short is commemorated in Watchet as Yankee Jack (he earned the nickname sailing in Yankee ships during the American Civil War) and is remembered for being a great seaman. However, he was an even greater singer: Yankee Jack had a tremendous memory and had learned many songs during a widely-travelled seagoing career. In fact, he provided the English folk song collector Cecil Sharp with a splendid collection of sea songs and shanties, many of which have become the standard versions we still know today.

These days, John Short the sailor and singer is represented by a fine statue by the harbour in Watchet, but I think his greatest memorial must be the songs, which from Sharp he sang in fine style with lots of melisma – that is, frequent changes of note within syllables. I only wish I knew of recordings that we could hear!

There’s an impressive list of his songs at the English Folk Dance & Song Society website.