‘Dreg songs’ of the Firth of Forth oyster fishery – an appeal for information

[ad name=”intheboatshed-post”]

Song collector James Madison Carpenter shanties, sea songs

Song collector Carpenter recorded songs from the Firth of Forth oyster fishery

Folklorist and shanty expert Bob Walser has put out an appeal for information about the old Firth of Forth oyster fishing – can anyone help him please?

Bob is engaged in what must be one of the most enviable jobs I can imagine – research the material collected by the USA collector James Madison Carpenter, who recorded a large amount of material in the UK.

‘I wonder if you could help me locate imagesor descriptions of the boats, dredges, methods etc of the Firth of Forth oyster fishery – woodcuts, paintings, photos of reproduction boats – etc. Anything at all!

‘I’m trying to get an idea of how the fishing was done in the 18th and 19th centuries: how many men per boat, dredging under sail or oars, single dredge or more, what shape were the dredges, how were the oysters etc?

‘The oyster dredgers in the Firth of Forth in years gone by sang what are called ‘dreg songs’, which seem to have been particular – perhaps unique – to that fishery. There are several recordings of these songs in the James Madison Carpenter Collection and I am trying to better understand how they functioned: how was the work done and how were the songs used?

‘I hope to use this information in the notes to the songs in the critical edition of the collection when it is published and perhaps in presentations or academic papers exploring this song tradition. I’d also like at some time to ‘bring the songs home’ to Fisherrow and Cockenzie where Carpenter recorded them – but for now that’s a dream… ‘

Thanks Bob – I’ve looked and found nothing on this particular fishery in any of the standard works I possess – the Chatham Directory, The Working Boats of Britain, Beach Boats of Britain or Traditional Fishing Boats of Britain and Ireland – but I wonder whether the boats used were like the small creel boats that used to be employed in the area?

Can anyone help please?

For an earlier post on Carpenter’s work, click here.

Click here to start receiving the weekly intheboatshed.net newsletter!

James Madison Carpenter on the BBC

Dig this, sea-song fans: http://news.bbc.co.uk/1/hi/england/wear/7683488.stm Here’s a news item about James Madison Carpenter’s 1920s expeditions recording old-fashioned singers using a wax cylinder recording machine. It’s great to hear these old voices.

There’s more here: http://www.hrionline.ac.uk/carpenter/

Thanks go to Chris Brady.

Don’t miss something good – subscribe to intheboatshed.net

Time to wet your whistle and let out a song

Tonight, I think it’s about time we had some music on the intheboatshed blog. Boating isn’t just about boats and sheds, boatbuilding or restoration, or even about navigating your boat – it’s also about a rich tapestry of personalities and culture.So tonight we have sea songs from my old friend Keith Kendrick. I hope Keith won’t mind when I say that with his dangerous smile he has something piratical about him and that when he sings with his concertina, he looks every inch everyone’s idea of the old fashioned sailor man. I’m sure he won’t mind when I say he’s a great singer of sea songs, as the MP3s I’m posting tonight will prove.

Ironically, Keith is a land-lubber by birth, originally hailing from the English county of Derbyshire and still living there today. Despite this, he did live on the East Kent coast for eight years where he was able to nurture more effectively an already strong leaning towards all things maritime. He has a long established and well documented history of performing and recording all kinds of music of the sea worldwide both solo and with various collaborations over forty years!

Keith is clearly passion-driven in his performance of sea shanties, fore-bitters and various other maritime related material including dance tunes on the English and Anglo concertinas.

He draws his influence from the old sailors and source singers of the material like: Stan Hugill (the last real shanty man), Bob Roberts and Cyril Tawney to name just three.

All of these three great singing heroes are now sadly gone and singers who have really studied their singing styles and songs, such as Keith, play an important role in carrying their legacy forward.

Listen in particular for the breaks and turns in his voice in the shanty set, for example – they’re one of the keys to real shanty singing.

Here are two tracks from his latest CD on the Wildgoose label Songs from the Derbyshire Coast. The first is the shanty Bold Riley (I’ve read somewhere that it’s a halyard shanty) and a set of three shanties, A Hundred Years Ago, Essiquibo River, and Rolling Down the Bay to Juliana. The files will take a moment to download but I can assure you that they’re well worth the short wait – this is shanty singing with real class.

Bold Riley is a windlass shanty that started life making the sugar run from the West Indies to the UK. Who ‘Riley’ was, unfortunately, is anybody’s guess.

A Hundred Years Ago is to one of two melodies commonly associated with this halyard Shanty from the USA – the other one is English in origin and both can be found in Stan Hugill’s seminal book, ‘Shanties From The Seven Seas’. Two other shanties: ‘A Long Time Ago’ and ‘Leave Her Johnny Leave Her’, share the same metre and are likely its two closest relatives.

The name of the Essiquibo River gives away the West Indian origins of this song – it would likely have been used originally inland for heavy shifting work and would have been lead by a Negro ‘shantyman’ eventually finding it’s inevitable way to sea where it’s use would need little adaptation. I take this at a slightly faster lick than it would have been sung in a working context.

Among the shanty set, I guess Rolling Down the Bay to Juliana, sometimes called Emma, is probably the least well known. It’s nevertheless one of the best halyard shanties around, and Keith tells me he believes it was collected in the early 1950s by folklorist A L Lloyd from ex-sailor Ted Howard. Ted, it is said, was on his death bed in a sailors’ hospital surrounded by all his shipmates when he sang this to Mr Lloyd. Apparently, his dying words were ‘Strike up South Australia and let me die happy!’

Bold Riley

Shanty set

Songs from the Derbyshire coast is available here:

More songs from Keith and friends:

A song from me:

Keith Kendrick, singer of sea songs and concertina player

Photo by Andrew D C Basford (2006)