Bob Telford’s first race sailing a dinghy with a standing lug

standing-lug-sail1

Standing lug sail from W P Stephens classic Canoe and
Boatbuilding for Amateurs

Bob Telford called by the yard currently restoring his impressive Maurice Griffiths-designed Idle Duck (type the word Idle Duck into the search box top left for more on this boat), only to find himself roped in to what sounded like an interesting round-the-buoys outing. Instead, though, it turned out to be a learning experience…

‘I knew something was afoot when I trundled into the inner sanctum known to some as Alan’s Community Center, for Retired Shipwrights, Dockyard Mateys and Associated Layabouts, and saw him and Peter look up, saying ’just the man…d’you fancy sailing in the Swale Match in me dinghy?

‘”Yes,” says I, without thinking.

‘The boat is a 10-ft lug rigged clinker job, so there I was, on my own, in a dinghy I had never rigged, let alone sailed, heading for the line for a race against four 16-ft fully crewed gaff-rigged dayboats.

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Read the rest of Bob’s story: Continue reading “Bob Telford’s first race sailing a dinghy with a standing lug”

Vintage Wooden Boat Association

The Association has over 900 registered boats ranging from classic racing dinghies to wooden ships. Membership extends world wide and there are a number of Regional Sections holding regular meetings; members meet at a national rally and at boat shows.

One of the VWBA’s current projects is compiling a pictorial and historical archive of registered craft that will provide a lasting record for the future.

For more on the VWBA:
http://www.vwba.org

Each month the site features a different boat, and at the time of writing it was Cordon Rouge, a 28ft 1930s Broads sailing yacht built by Applegates of Potter Heigham:

Time to wet your whistle and let out a song

Tonight, I think it’s about time we had some music on the intheboatshed blog. Boating isn’t just about boats and sheds, boatbuilding or restoration, or even about navigating your boat – it’s also about a rich tapestry of personalities and culture.So tonight we have sea songs from my old friend Keith Kendrick. I hope Keith won’t mind when I say that with his dangerous smile he has something piratical about him and that when he sings with his concertina, he looks every inch everyone’s idea of the old fashioned sailor man. I’m sure he won’t mind when I say he’s a great singer of sea songs, as the MP3s I’m posting tonight will prove.

Ironically, Keith is a land-lubber by birth, originally hailing from the English county of Derbyshire and still living there today. Despite this, he did live on the East Kent coast for eight years where he was able to nurture more effectively an already strong leaning towards all things maritime. He has a long established and well documented history of performing and recording all kinds of music of the sea worldwide both solo and with various collaborations over forty years!

Keith is clearly passion-driven in his performance of sea shanties, fore-bitters and various other maritime related material including dance tunes on the English and Anglo concertinas.

He draws his influence from the old sailors and source singers of the material like: Stan Hugill (the last real shanty man), Bob Roberts and Cyril Tawney to name just three.

All of these three great singing heroes are now sadly gone and singers who have really studied their singing styles and songs, such as Keith, play an important role in carrying their legacy forward.

Listen in particular for the breaks and turns in his voice in the shanty set, for example – they’re one of the keys to real shanty singing.

Here are two tracks from his latest CD on the Wildgoose label Songs from the Derbyshire Coast. The first is the shanty Bold Riley (I’ve read somewhere that it’s a halyard shanty) and a set of three shanties, A Hundred Years Ago, Essiquibo River, and Rolling Down the Bay to Juliana. The files will take a moment to download but I can assure you that they’re well worth the short wait – this is shanty singing with real class.

Bold Riley is a windlass shanty that started life making the sugar run from the West Indies to the UK. Who ‘Riley’ was, unfortunately, is anybody’s guess.

A Hundred Years Ago is to one of two melodies commonly associated with this halyard Shanty from the USA – the other one is English in origin and both can be found in Stan Hugill’s seminal book, ‘Shanties From The Seven Seas’. Two other shanties: ‘A Long Time Ago’ and ‘Leave Her Johnny Leave Her’, share the same metre and are likely its two closest relatives.

The name of the Essiquibo River gives away the West Indian origins of this song – it would likely have been used originally inland for heavy shifting work and would have been lead by a Negro ‘shantyman’ eventually finding it’s inevitable way to sea where it’s use would need little adaptation. I take this at a slightly faster lick than it would have been sung in a working context.

Among the shanty set, I guess Rolling Down the Bay to Juliana, sometimes called Emma, is probably the least well known. It’s nevertheless one of the best halyard shanties around, and Keith tells me he believes it was collected in the early 1950s by folklorist A L Lloyd from ex-sailor Ted Howard. Ted, it is said, was on his death bed in a sailors’ hospital surrounded by all his shipmates when he sang this to Mr Lloyd. Apparently, his dying words were ‘Strike up South Australia and let me die happy!’

Bold Riley

Shanty set

Songs from the Derbyshire coast is available here:
http://www.guestlistwebarts.co.uk/eyup/cds.htm

More songs from Keith and friends:
http://intheboatshed.net/?p=78

A song from me:
http://intheboatshed.net/?p=609

Keith Kendrick, singer of sea songs and concertina player

Photo by Andrew D C Basford (2006)