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Seamew, built by Stebbings of Burnham on Crouch in 1953, and repaired and restored in Bob Hinks’ workshop

Clea Rawinsky has been busy fulfilling a long-held ambition to own and sail a Burnham Scow, with the help of boatbuilder Bob Hinks (link one, link two) and their mutual friend Mark. Here’s the story as she tells it:

I first saw Seamew, dusty and forgotten, in a boat shed near my home years ago. I recognised the class easily: she was a Burnham Scow: an 11ft 3in clinker-built sailing dinghy.

One of the local yacht clubs, the Royal Burnham, adopted the class for their cadet section some 50 years ago, and a small number of them continue to grace the River Crouch. However, Burnham Scows are very rarely found for sale and tend to be passed down through families.

Seamew had split planks, a bashed-in gunwhale and had obviously enjoyed a great history – but she also looked like she hadn’t been touched in decades. She needed more work than I was capable of, but just knowing she existed allowed me to dream.

Then, last year, I was introduced to Bob Hinks. He and our mutual friend, Mark, had a cracking day out sailing Cirrus, Bob’s strip-plank built 20ft day-sailer with an electric inboard motor. Bob was clearly a craftsman and I was intrigued by his modest view of his obviously outstanding talent as a boat builder.

One day I was showing Mark and Bob my own boat, a 26ft Polaris. She was in storage awaiting a new owner and by chance happened to be chocked off right next to Seamew. Both guys saw, as I had, the potential in the little elm-on-oak relic. As if by magic, Bob was heard to say how he’d been looking for a winter project.

That was last autumn. There and then the three of us tacitly agreed we’d be sailing her next summer. It has been a whirlwind time making it happen.

Seamew went to Bob’s workshop in London, a perfect, centrally-heated space at the bottom of his garden. We all chipped in but it was Bob’s skill that defined the project. He stripped out the damaged wood and made up the list of materials required to rebuild her.

The new timber arrived just before Christmas and Bob set-to, teaming planks and making up fittings that we couldn’t buy, sometimes using the workshop in his former company, Asylum. He used his own bandsaw to cut notches in a bronze bar that was destined to become our bespoke centre-plate handle.

He kept us up-to-date on the progress by regularly emailing new images, showing the skeleton of the boat, fresh copper fastenings, the next new plank, the new thwart knees and a sumptuously rich finish on the mahogany rudder cheeks.

As if the project wasn’t rolling along quickly enough, Bob moved up a gear when I mentioned there was an opportunity to have the boat at the RYA Volvo Dinghy Show. It was a bit of a long shot: the Royal Burnham had space booked at the show at the Alexandra Palace show in early March, but didn’t have a boat to put on the stand. Bob was more than willing and the club was too, as it turned out.

In the end she looked fantastic on the stand, and drew a lot of attention. I found myself thinking of her shipwrights, back in 1950s Burnham in the old Chapel Road boatshed… I fancy they may have smiled to see her, almost a lifetime later, under the bright lights, on show, up in the big smoke. In fact, it wasn’t her first experience of brief fame – she was put on show at the Earls Court Boat Show, 57 years ago.

Roll on the warmer weather and a champagne launch some time in May.

Thanks Clea – that’s a very cheering story. It’s particularly nice that you managed to get some history on the boat itself as well as the class.

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The latest Water Craft will be with us any day

It’s almost time for the next edition of Water Craft magazine to land on our doormats – so what’s in store this time around? Lots of boating goodies as usual – including the first of two big features by our friend Ben Crawshaw in which he reports on his adventures sailing his Light Trow named Onawind Blue. That feels like a real privilege, I must say, even though I’d prefer to seem my design used for rather less extreme adventures…

Here’s what Water Craft editor Pete Greenfield has to say about the upcoming issue:

So – how has boat craftsmanship, amateur and professional, fared through the long hard winter and the much longer and harder recession? In W80, we seem to have some of the answers.

Interestingly, for many professional wooden boat builders, the answer seems to be they are managing rather nicely thank you… though mostly with repairs rather than new builds.

At Peter Freebody & Co, for example, spiritual home of so many traditional Thames craft, Melanie Freebody tells Kathy Mansfield there may be snow on the roof but the boatshops beneath have rarely been busier.

Giving up the well-paid but stressful job in IT to learn to build wooden boats is a good idea for some. Certainly, on a dark dank morning in December when the students of 2009 launched the fascinating variety of craft they’d built at the Boat Building Academy at Lyme Regis, our Dick Phillips detected little stress… though maybe the champagne helped.

No nerves on the part of our tame amateur boatbuilder Peter Goad either, when Messrs Phillips and Chesworth turned up to sail the Cape Henry 21. Perhaps, as Peter explains in his final fit-out article, a five-year project encourages a relaxed and patient frame of mind.

Watch, on YouTube.com, Ben Crawshaw’s reports on sailing a small boat in the Med and you’ll see rather more evident anxiety. And reading about how he built his first boat, a slender lugger called a Light Trow intended for more sedate waters, in a public garden in Spain, you’ll encounter few manyana moments.

More sail than oar but definitely a craft to cope with exhilarating sea sailing, we think Paul Gartside’s free plans, complete with lines and offsets, for his 20ft (6m) lugger will persuade many a putative backyard boatbuilder to stop saying manyana and take the plunge.

As may the editor’s outdoor boat….

But outdoors, as Colin Henwood of Henwood & Dean Boatbuilders explains in his masterclass on painting and varnishing is not the ideal place to give your boat the finest finish for the new season. You need a big tent, kind-of like Water Craft itself.

Buy a subscription now (see the link in our right-hand column here at intheboatshed.net and pay with your credit card via PayPal) or find the March-April Water Craft in your local newsagents – to find a stockist in the UK see http://availability.mmcltd.co.uk

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Scruffie Marine boat kit importer Whisper Boats’ reports that the 18th Scruffie kit boat in the UK is due to arrive at Tilbury in a couple of weeks.

Whisper boss Max Campbell says the new boat will be a Scintilla 24ft trailer sailer, but the most popular Scruffie model in the UK has been the Secret, of which there are 11 in the UK, nine of which are still in build. Scruffie Marine is based in Australia, and its boats are designed by Derek Ellard.

The Secret has a round bilge hull built from plywood – see the photos below showing how this is done. Here’s what Max has to say about it:

‘Essentially, we build a double chine hull, with a narrow, parallel-sided, intermediate chine panel, which is then packed out over-sized with cedar – triangle section down the edges, and square or rectangle section (about 3in thick) in the middle. This is then faired back to a profile – a piece of ply with the curve cut in it. You have then, in effect, laminated up a huge stringer, running most of the length of the boat at waterline level.

‘We hit a submerged object on the River Avon when motoring at a good 5 knots, that skewed the boat sideways a couple of feet, but the only damage was to the surface paintwork! The whole hull is sheathed with glass cloth and epoxy.’

Rounding-out the hull of a Secret: attaching chine panels, bottom panels in place, chine thicknessing with cedar, fairing along side and at transom, sheathing with glass cloth

See Whisper Boats’ Youtube homepage for clips of the Secret sailing.

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